Viewing posts with tag: humanity

when-the-most-dangerous-man-in-america-lived-in-laguna-beach
September 23, 2018

When the Most Dangerous Man in America Lived in Laguna Beach

CULTURE, CREATIVITY, LOCAL, LAGUNA BEACH, CREATIVE ECOSYSTEM, HISTORY, HUMANITY, TIMOTHY LEARY, CULT, LSD

Throughout its long history, Laguna Beach has been known for many things. It’s stunning coastline and wonderful Mediterranean climate have consistently made the city a popular place to live, work and vacation. At the turn of the 20th century, it was the home of Southern California plein air painting. In the decades that followed, it was a playground for the rich and famous, including many Hollywood stars. And in the 1960s, it became the coolest place south of San Francisco for America’s burgeoning psychedelic culture. Hippies, artists and bohemians flocked to the city by the thousands. And for a brief time in 1967-68, it was home to Timothy Leary, whom Richard Nixon called “the most dangerous man in America.”

The 1960s were a time of civil unrest, student protests against the Vietnam War, and an unraveling of the cultural fabric of America. There was the psychedelic music of popular bands such as the Beatles, the Byrds and Pink Floyd. Even the Beach Boys were experimenting with music influenced by hallucinogens.

The psychedelic experience included partaking in marijuana and drugs such as LSD and psilocybin mushrooms. These were seen by some as tools to expand their consciousness and discover cosmic truths. Others saw drugs as harmful and illegal substances that could cause mental illnesses, or even lead to death.

In the search for enlightenment, Timothy Leary was the high priest and LSD the sacrament. Leary, a former Harvard lecturer who held a Ph.D. in clinical psychology, became an evangelist for the use of LSD. In late 1967, he moved to Laguna Beach to spend time with The Brotherhood of Eternal Love, a group of counterculture hippies who lived together in the Woodland Drive area (known by the police as “Dodge City”) and manufactured LSD nicknamed Orange Sunshine.

At this time, the Laguna Beach police were largely unaware of the scope of the Brotherhood’s massive manufacturing and distribution operation. Police officer Neil Purcell recalled: "The BEL [Brotherhood of Eternal Love] still appeared to be just an unorthodox, goofy location operation, a pain ... but no hippie mafia."

When Leary arrived in Laguna Beach and moved into a home on Gaviota Drive, he’d already been arrested on drug charges. A lightning rod for controversy, he brought the unwanted attention of police to the Brotherhood’s illegal LSD production. On December 26, 1968, the same day Leary announced he was running for governor of California against incumbent Ronald Reagan, Officer Purcell noticed a car parked illegally in the middle of Woodland Drive, blocking traffic. He was incredulous when he realized that one of the vehicle’s occupants was none other than Timothy Leary.

After noticing the car smelled of marijuana, Purcell called for backup and searched the vehicle. The search yielded two roaches found in the ashtray, a pound of marijuana, two ounces of hashish and some tabs of LSD. Leary claimed the drugs were planted by the police.

Leary was sentenced on January 21, 1970. He received a 10-year sentence for the Laguna Beach offense, and another 10 years was later added for his 1965 arrest. When he arrived in prison, he was given a battery of psychological tests designed to determine the appropriate work detail. Since Leary designed some of the tests himself, during his time as a clinical psychologist, he answered them in a way that resulted in his being assigned to a low-security prison, where he worked as a gardener.

Leary escaped by climbing over the prison wall. He was met by a pickup truck that had been arranged by the Weathermen, who had received a $250,000 payment from the Brotherhood. Leary became a fugitive from the law. After traveling to Algeria, Switzerland and Vienna, he was apprehended at the airport in Beirut. After spending time in Folsom Prison, he was eventually released from prison on April 21, 1976 by California Governor Jerry Brown. Leary died from prostate cancer on May 31, 1996, at age 75.

Leary may have attracted some people to Laguna Beach, but it was already home to a large number of artists, idealists, hippies and those seeking alternative lifestyles. Laguna Beach was still a sleepy little town, but it had an active arts scene. And it was still an affordable place to live for artists and other creative people, who earned a living by selling their wares from their front yards, the Pottery Shack, local art galleries or the Sawdust Art Festival.

Since the hippy heyday of the 1960s and ‘70s, each generation of Laguna Beach residents has contributed to and nurtured the arts that are so valued in the city. It’s home to the Laguna College of Art and Design as well as more than 100 art studios and galleries, some of which are featured in the monthly First Thursdays Art Walk. You can see it alive in public art installations and annual events such as the Sawdust Art Festival, Art-A-Fair, Festival of the Arts and Pageant of the Masters.

Even if you don’t live in Laguna Beach, a visit of any length may inspire your creativity. In addition to festivals and galleries, there are many art classes and workshops to enjoy, offered by professional artists through the Sawdust Festival organization, LOCA Arts Education and others. Or you can purchase an original piece of art to remember your visit to Laguna.

Today, Timothy Leary is a footnote in the history of Laguna Beach, but every once in a while, you may find yourself wondering if that was the really the scent of sandalwood incense you just smelled.

Image description

laguna-beachs-creative-ecosystem
June 6, 2018

Laguna Beach's Creative Ecosystem

CULTURE, CREATIVITY, LOCAL, LAGUNA BEACH, CREATIVE ECOSYSTEM, ART, TOURISM, VISIT LAGUNA, HUMANITY, HERITAGE, INGENUITY, INSPIRATION, TECHNOLOGY, CREATIVE CLASS, RICHARD FLORIDA, LCV, AUTHENTICITY, SENSE OF PLACE

“One’s destination is never a place but a new way of seeing things…” – Henry Miller

Our current culture is no longer defined by industry and production, but instead, by creativity and technological innovation. The target population to contribute to our society and help keep it moving forward is that of creatives and creative-supporters. The entire system that creative activity emerges can be explained as a creative ecosystem. This ecosystem helps to cultivate creative thought, people and distinct creative places, encouraging the creative class to visit and participate in said places and activities at those places. For any creative destination, it is important to acknowledge and care for all components in the creative ecosystem, in order for the ecosystem to grow and thrive.

The term creative ecosystem has been in circulation since 2000 when it first appeared in BusinessWeek. Defining a form of infrastructure, this system that creative activity emerges from includes a few core components: The creative person, the creative project and the creative environment, and well as the functional relationships that connect them.

In this specific day and age, creative economies must be aware of how creativity, innovation and culture are important factors for the competitiveness of not only companies, but also for nations, cities and regions, particularly as we move from goods and service economies to “experience” economies. Ragnar Siil, a specialist with the European Union - EaP Culture and Creativity Programme, commented on the need to develop cultural and creative ecosystems in creative destinations, “Based on individual and collective creativity, skill and talent, the creative ecosystem is capable of improving well-being and contributing to the creation of new jobs in the city,” he stated.

Since the early 2000s, many nations, cities and regions have been paying close attention to the needs of the growing creative class and the health and well being of creative destinations as a part of our global culture. Without proper care and thoughtfulness toward maintaining a healthy creative ecosystem, many creative destinations will die out, and force residents and visitors to look elsewhere for jobs, homes, culture, and experiences. Like Henry Miller said, the destination is predominantly a new way of seeing things, and that is even more true in today’s society. The creative class includes the upcoming generations that will carry our culture into the future, and this particular group of people is concerned with experience, adventure, and authenticity.

Jane Jacobs, who, decades ago, noted the ability of cities to attract creative people and by doing so spurred economic growth, predominantly developed the human capital theory. The human capital theory establishes that creative people are the driving force in regional economic growth. Approaching this notion from a creative capital perspective, the human capital idea can be thought of as a stock or endowment; but, does evoke the question: Why do creative people cluster in certain places? Richard Florida has conducted years of research on this topic, including focus groups and interviews and was able to discover that people consider economic and lifestyle components and the combination of both of those things when considering where to live. People were not making the career decisions or geographic moves that the previous standard theories stated, but instead, educated and creative individuals were drawn to places that were inclusive and diverse. This creative capital perspective identifies a specific type of human capital, creative people, as being key to economic growth; and, it identifies the underlying factors that shape the location decisions of the creatives, instead of assuming that regions are blessed with certain endowments.

The creative class of people engages in work whose function is primarily to create meaningful new ideas and forms. This class of people includes scientists, engineers, university professors, poets and novelists, artists, entertainers, actors, designers, architects, as well as innovative thinkers and communicators like journalists, editors, cultural figures, think-tank researchers, analysts, and influencers, according to urban theorist and public speaker Richard Florida. The creative supporters are also involved in this—professionals who engage in problem solving, in health, science, tech, legal and financial industries. Florida estimates, according to his research, that the creative class includes 38.3 million Americans now, which does not discredit others from being creative, but merely looks at the individuals that are paid for their creativity in their professional work. That number is up by 10 percent at the turn of the 20th century.

The creative areas that these people are drawn to and contribute to are not thriving because of any traditional economic reasons like natural resources or transportation routes, but because the creative people want to live there. “The companies follow the people—or, in many cases, are started by them,” Florida says. “Creative centers provide the integrated ecosystem or habitat where all forms of creativity—artistic and cultural, technological and economic—can take root and flourish.” What attracts this demographic to specific areas is high-quality experiences, an openness to diversity of all kinds, and the opportunity to validate their identities as creative individuals. Laguna Beach is one of those places that people are inclined to flock to, but is on the cusp of losing this creative place attraction. It is pertinent that as a community, Laguna Beach maintains and helps to make sure that it continues to offer ample diversity of experiences, people, economics, technology and places.

“The nature and function of the city is changing in ways and dimensions we could scarcely have expected even a decade or two ago,” Florida stated. Although constant research on this area of interest is being done, there are basic that communities can pay attention to, in order to tailor these theories to their own space, place, and interests—diversity is at the very core of every version of this.

An important new study by economists Quamrul Ashraf of Williams College and Oded Galor of Brown University should help shed some light on this topic. "Cultural Diversity, Geographical Isolation and the Origin of the Wealth of Nations," recently released as a working paper by the National Bureau of Economic Research charts the role of geographic isolation, proximity and cultural diversity on economic development from pre-industrial times to the modern era. It finds that "the interplay between cultural assimilation and cultural diffusion have played a significant role in giving rise to differential patterns of economic development across the globe." To put it in plainly: diversity spurs economic development and homogeneity slows it down. This means that in a community, it is important to attract and keep diversity of industry, diversity of culture and diversity of people as an important foundation for success and growth.

Laguna Beach has had an extensive history in supporting and perpetuating diversity of people and experiences. Other cities in Orange County are catching up to the success of the creative center of Laguna Beach, long known for its history as an arts colony and an artistic epicenter in OC, by offering more affordable housing options, more diverse cultural offerings, encouraging bilingual and cultural businesses and centers, and creating unique and distinctive spaces and experiences that become signature offerings to those cities.

a-kxmas-story-for-two-of-lagunas-homeless-community
February 8, 2018

A KXmas Story for Two of Laguna’s Homeless Community

CULTURE, CREATIVITY, MUSIC, HUMANITY, INGENUITY, INSPIRATION

It’s easy to turn a blind eye to a crumpled figure in a sleeping bag, or a cardboard sign that says, “Anything Helps.” But here in Laguna Beach, we tend to do things different, as exhibited at the KXmas benefit concert in December. Our very own FM radio station 93.5 KX and sponsors Seven-Degrees and the Royal Hawaiian, partnered with Friendship Shelter to try something different: provide an opportunity, and to give the conversation the stage it deserves…literally.